Friday, September 5, 2008

Republicans

The party of "Get the hell off my lawn!"

Paul Krugman reminds us that we should NEVER misunderestimate the power of resentment in politics.  Nixon built a whole career on it.  My late father always voted his resentments (and Nixon could play him like a violin).
Rick Pearlstein has some similar reflections in his commentary on Sarah Palin's speech.

Speaking of the resentments of middle class white people, here's another tidbit from this morning's liberal elitist NYTimes.
   Thank God for Christian fundamentalists and Chinese Communists!  They are probably the last groups left who take art seriously and believe that things are at stake in it.  They both take it seriously enough to feel threatened by it.

Thursday, September 4, 2008

"Westward the Course of Empire..."

Speaking of America,

When I resume my long meditation on art, modernity, and spirituality, it will be on American art after the Civil War, especially about the second wave of westward expansion, and about some uniquely American forms of spirituality that have lately been either largely forgotten, or gone out of fashion.

Emmanuel Leutze, Westward the Course of Empire Takes Its Way, 1862


John Gast,  American Progress, ca. 1872

America


Sometimes I think that the most amazing thing about the United States is that we've had only one Civil War.

We are three hundred million socially awkward people who hate each other's guts.
We've always seen the lone rider coming over the horizon as a threat.
We are polarized racially, regionally, economically, religiously, ethnically, sexually, etc..
Politicians have always built careers on our fears and resentments.
Entire political ideologies have been built on our spite and resentment.
Whole religious theologies are built on our fear and hatred of The Other.
We built this country on greed and racism just as much as we built it on hope and idealism.
We are not, and never were, "innocent" or absolved from history.

There are members of my family who felt very deeply the resentment of "outsiders" telling them how to run their own states and businesses, especially in the wake of the Civil Rights movement. They feel profoundly and mortally threatened by huge waves of "outsiders" (especially brown ones) swamping their identity and their very existence. They've always resented what they see as the patronization of the fortunate privileged who presume to know better than they do. On the other hand, I know people who see my native region as a vast wilderness of ignorance and bigotry and regard it with a reciprocal fear and loathing. They have other more direct and vivid memories of the Civil Rights era, memories of people who suffered and died just to be treated as human beings and not as some higher form of farm animal.
As someone who daily straddles the vast cultural chasm between my native Texas and my adopted New York, I sometimes carry all sorts of conflicting resentments within myself. The truly sad part about the whole thing is the knowledge that none of those fears and resentments is entirely wrong or unrealistic, though they are always unfair. I'm sure the folks in Weatherford, Texas see themselves as patriotic embodiments of authentic small town America -- brave, enterprising, conscientious, dutiful -- and perhaps rightly so. On the other hand, Chinatown here in New York City is actually older than Weatherford, Texas. Chinatown here in New York, like all Chinatowns in the USA, exists because people never considered the Chinese immigrants (whose labor built the western half of the Transcontinental Railroad in the 1860s) as authentically "American." Chinatowns were created by segregation, by the refusal of other Americans to welcome them among their own. And yet, Chinatown provided soldiers for every American conflict going back to the Spanish American War. The Chinese don't fit into the commercial mainstream vision of America (blond, blue-eyed, apple-cheeked, with 2.5 impossibly adorable children, living comfortably in a leafy suburb or small town filled with sunshine, where the elderly are always "spry") but then, neither really do the inhabitants of Weatherford, nor does anyone in the United States, now or ever. Maybe it's time to ditch that "mainstream" image that's been assigned to us. It's bamboozled a lot of people (especially mine), has harmed a lot of other people, and hasn't helped anyone.
Texas is, and always was, a much more complicated place than most people, including most Texans, assume. Like this big city that attracts so much of the resentment of Texans, Texas is a very cosmopolitan place built out of the hopes and expectations of poor misfits (and that was true long before Stephen F. Austin arrived). I've seen a lot of courage, enterprise, conscientiousness, and selflessness in this huge boiling cosmopolitan city of New York, built for better and for worse out of the dreams of very poor people from around the world, a city that has always attracted a lot of the world's fears and resentments.

I can only conclude that the social contract that binds us all together in a single unlikely country is greater than each of us who make it up.



Wednesday, September 3, 2008

A Detroit Moment

MoTown wasn't the only thing to come out of Detroit 40 years ago...




just a little relief from all the aggressive dorkiness that's been parading all over the air waves lately.

"Come Up To The Lab and See What's On The Slab"

Surveillance video of me at another day's work in my studio:



Even after 80 years, this movie is still so awesome cool.

I hear that a complete copy of Metropolis surfaced in a library in Italy recently.  All the copies that are out now are missing over a quarter of the original premiere release.  I'm sure that they are busy restoring it right now.  I can hardly wait!

Wedding Bells and Shotgun Shells in St. Paul


Here he is, the man of the moment, Levi Johnston, the happy soon-to-be-father and soon to be son-in-law of a political family, the family of Veep candidate Sarah Palin. Even though the press is going ape with his Facebook comments full of teenage bravado, I feel sorry for the poor shlub, and for the poor girl who has to marry him in front of a convention hall full of people that no one would want to see on a jury if they were on trial for their lives, and in front of the world press.

Dude, there are times when it pays to keep your pants on.

Monday, September 1, 2008

Monet Paints His Dying Wife

Claude Monet, Camille on Her Death Bed, 1879

Claude Monet married Camille Doncieux in 1870.  She became ill with tuberculosis after years of sharing her husband's poverty in 1875.  She died in 1879.  Monet many years later wrote the following account of the genesis of this painting to George Clemenceau.

... One day, when I was at the death bed of a woman who had been and still was very dear to me, I caught myself, my eyes fixed on her tragic forehead, in the act of mechanically analysing the succession of appropriate color gradations which death was imposing on her immobile face.  Tones of blue, of yellow, of grey, what have you?  This is the point I had reached.  Certainly it was natural to wish to record the last image of a woman who was departing forever.  But even before I had the idea of setting down the features to which I was so deeply attached, my organism automatically reacted to the color stimuli, and my reflexes caught me up in spite of myself, in an unconscious operation which was the daily course of my life - just like an animal turning his mill.